LAURIE McDONALD VIDEO
  • Video Art
    • A Dedication to Lee Choon-Sop
    • Androgina, from Generic Video Art
    • As profecias da Orixá Oxum
    • Body Images
    • Dreamtime
    • Eyeopeners
    • Hydroglyphs: Early Morning Drift
    • John Cage, from New Music America
    • Private Parts
    • Sadie Curtis Navajo Weaver
    • Spinning Ballerina
    • The Death of the Lotus
    • The Dying Swan
    • The World's Largest
    • Twenty-Eight Years of Cadillacs
    • Uncle Umbrella
  • Installations
    • What It Means
    • Beyond the Shadow
    • Highway Shoes
    • Hydroscapes
    • Prime Time
    • Surveillance
    • Sylvanscapes
    • The Video Nickelodeon
    • The Wonderful Stone
  • Audio Art
    • Telephone Dating
  • Archive
  • About
    • Biography
    • Selected Works
    • Selected Exhibitions
  • Electron Movers
    • The Video Maze
  • Contact
Videography, partial

2017:

AS PROFECIAS DA ORIXA OXUM (The Prophecies of the Waterfall Spirit Oxum), high definition digital for VR, 7 1/2 minutes.

2006:
SADIE CURTIS: NAVAJO WEAVER, high definition digital, 9 minutes.  With consulting anthropologist Teresa Wilkins.

2001:
TEN ANGRY WOMEN, installation, video projection, sparring body opponent bag (BOB), wrestler’s mask.


1999-2000:
EYEOPENERS, Hi8 to Beta, color, 45 minutes.


1998:
THE WONDERFUL STONE
, installation: video Good Fortune Face, photomural, stone, spray paint, vinyl, cloth, fog, text.


1997:
SHADOW AND SUBSTANCE, Hi8 to Beta, 16 1/2 minutes.
UNCLE UMBRELLA, Hi8 to Beta, 16 minutes.


1996:
TEN ANGRY WOMEN, 3/4” color, 4 minutes.


1993:
OUTSIDE/IN, installation: plywood, spray paint, three video monitors, video playback.


1992:
BEYOND THE SHADOW, installation: sand, high intensity miniature lights, poetry, video projection.


1989:
THE DEATH OF THE LOTUS, 3/4” color, 5 1/2 minutes.


1988:
DREAMTIME, 3/4” color, 6 1/2 minutes.


1986:
NEW MUSIC AMERICA
, 3/4” color, 57 minutes.


1985:
FILLING THE BOXES OF JOSEPH CORNELL, 3/4” color 8 minutes.  Also an installation.


1984:
DOROTHY DAVIS: MAKE A WAY, 3/4” color 26, minutes.


1983:
SURVEILLANCE, marble laminate, video camera, plants, velvet stanchions, four channel installation, 3/4” color, varying times.


1982:
GENERIC VIDEO ART, 3/4” color, 11 minutes.
A DEDICATION TO LEE CHOON-SOP, installation, 3/4” color, 3 minutes.


1981:
THE VIDEO NICKELODEON, installation, 3/4” black and white, wood, miniature footlights, cloth, black and white television monitor,
22” x 22” x 22” wooden cube with security “peep” hole, 3 minutes.

DEUS EX MACHINA, 3/4” color, 15 minutes.  Also a live performance.


1980:
THE SWEETWATER RATTLESNAKE ROUNDUP, 3/4” color, 26 minutes.
DUET FOR TAP AND GALOSHES, 3/4“ color, 2.5 minutes.


1979:
THE WORLD’S LARGEST: A TAPE ABOUT TEXAS, 3/4” color, 24 minutes.
WATER, WIND, AND THE RECORD OF THE ROCKS, 3/4” color, 10 minutes.


1978:
PRIVATE PARTS, 1/2” black and white, 12 minutes.
28 YEARS OF CADILLACS, 3/4” color, 20 minutes.


1977:
MINUTE WALTZ, 1/2“ black and white colorized, 3 minutes.
THE BLESSING OF THE MOTORCYCLES, 1/2” black and white, 5 minutes.


1976:
DEUX PIEDS, with Dennis Hlynsky, 1/2” black and white colorized, 4 minutes.
HYDROGLYPHS: EARLY MORNING DRIFT, with Alan Powell, 1/2” black and white colorized, 15 minutes.
PRIME TIME, 1/2” color installation, 10 minutes.  Revised in 1981.


1975:
THE DYING SWAN, 1/2” black and white, 3 minutes.
THE VIDEO MAZE, a series of 12 interactive video installations, at the Everson Museum of Art.


1973:
BODY IMAGES, 1/2” black and white, 10 minutes.
MOOG SYNTHESIZER IMAGES #1, 1/2” black and white colorized, 3 minutes.
TAKE MY PICTURE?, 1/2” black and white, 5 minutes.









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  • Video Art
    • A Dedication to Lee Choon-Sop
    • Androgina, from Generic Video Art
    • As profecias da Orixá Oxum
    • Body Images
    • Dreamtime
    • Eyeopeners
    • Hydroglyphs: Early Morning Drift
    • John Cage, from New Music America
    • Private Parts
    • Sadie Curtis Navajo Weaver
    • Spinning Ballerina
    • The Death of the Lotus
    • The Dying Swan
    • The World's Largest
    • Twenty-Eight Years of Cadillacs
    • Uncle Umbrella
  • Installations
    • What It Means
    • Beyond the Shadow
    • Highway Shoes
    • Hydroscapes
    • Prime Time
    • Surveillance
    • Sylvanscapes
    • The Video Nickelodeon
    • The Wonderful Stone
  • Audio Art
    • Telephone Dating
  • Archive
  • About
    • Biography
    • Selected Works
    • Selected Exhibitions
  • Electron Movers
    • The Video Maze
  • Contact