Videography, partial
2017:
AS PROFECIAS DA ORIXA OXUM (The Prophecies of the Waterfall Spirit Oxum), high definition digital for VR, 7 1/2 minutes.
2006:
SADIE CURTIS: NAVAJO WEAVER, high definition digital, 9 minutes. With consulting anthropologist Teresa Wilkins.
2001:
TEN ANGRY WOMEN, installation, video projection, sparring body opponent bag (BOB), wrestler’s mask.
1999-2000:
EYEOPENERS, Hi8 to Beta, color, 45 minutes.
1998:
THE WONDERFUL STONE, installation: video Good Fortune Face, photomural, stone, spray paint, vinyl, cloth, fog, text.
1997:
SHADOW AND SUBSTANCE, Hi8 to Beta, 16 1/2 minutes.
UNCLE UMBRELLA, Hi8 to Beta, 16 minutes.
1996:
TEN ANGRY WOMEN, 3/4” color, 4 minutes.
1993:
OUTSIDE/IN, installation: plywood, spray paint, three video monitors, video playback.
1992:
BEYOND THE SHADOW, installation: sand, high intensity miniature lights, poetry, video projection.
1989:
THE DEATH OF THE LOTUS, 3/4” color, 5 1/2 minutes.
1988:
DREAMTIME, 3/4” color, 6 1/2 minutes.
1986:
NEW MUSIC AMERICA, 3/4” color, 57 minutes.
1985:
FILLING THE BOXES OF JOSEPH CORNELL, 3/4” color 8 minutes. Also an installation.
1984:
DOROTHY DAVIS: MAKE A WAY, 3/4” color 26, minutes.
1983:
SURVEILLANCE, marble laminate, video camera, plants, velvet stanchions, four channel installation, 3/4” color, varying times.
1982:
GENERIC VIDEO ART, 3/4” color, 11 minutes.
A DEDICATION TO LEE CHOON-SOP, installation, 3/4” color, 3 minutes.
1981:
THE VIDEO NICKELODEON, installation, 3/4” black and white, wood, miniature footlights, cloth, black and white television monitor,
22” x 22” x 22” wooden cube with security “peep” hole, 3 minutes.
DEUS EX MACHINA, 3/4” color, 15 minutes. Also a live performance.
1980:
THE SWEETWATER RATTLESNAKE ROUNDUP, 3/4” color, 26 minutes.
DUET FOR TAP AND GALOSHES, 3/4“ color, 2.5 minutes.
1979:
THE WORLD’S LARGEST: A TAPE ABOUT TEXAS, 3/4” color, 24 minutes.
WATER, WIND, AND THE RECORD OF THE ROCKS, 3/4” color, 10 minutes.
1978:
PRIVATE PARTS, 1/2” black and white, 12 minutes.
28 YEARS OF CADILLACS, 3/4” color, 20 minutes.
1977:
MINUTE WALTZ, 1/2“ black and white colorized, 3 minutes.
THE BLESSING OF THE MOTORCYCLES, 1/2” black and white, 5 minutes.
1976:
DEUX PIEDS, with Dennis Hlynsky, 1/2” black and white colorized, 4 minutes.
HYDROGLYPHS: EARLY MORNING DRIFT, with Alan Powell, 1/2” black and white colorized, 15 minutes.
PRIME TIME, 1/2” color installation, 10 minutes. Revised in 1981.
1975:
THE DYING SWAN, 1/2” black and white, 3 minutes.
THE VIDEO MAZE, a series of 12 interactive video installations, at the Everson Museum of Art.
1973:
BODY IMAGES, 1/2” black and white, 10 minutes.
MOOG SYNTHESIZER IMAGES #1, 1/2” black and white colorized, 3 minutes.
TAKE MY PICTURE?, 1/2” black and white, 5 minutes.
2017:
AS PROFECIAS DA ORIXA OXUM (The Prophecies of the Waterfall Spirit Oxum), high definition digital for VR, 7 1/2 minutes.
2006:
SADIE CURTIS: NAVAJO WEAVER, high definition digital, 9 minutes. With consulting anthropologist Teresa Wilkins.
2001:
TEN ANGRY WOMEN, installation, video projection, sparring body opponent bag (BOB), wrestler’s mask.
1999-2000:
EYEOPENERS, Hi8 to Beta, color, 45 minutes.
1998:
THE WONDERFUL STONE, installation: video Good Fortune Face, photomural, stone, spray paint, vinyl, cloth, fog, text.
1997:
SHADOW AND SUBSTANCE, Hi8 to Beta, 16 1/2 minutes.
UNCLE UMBRELLA, Hi8 to Beta, 16 minutes.
1996:
TEN ANGRY WOMEN, 3/4” color, 4 minutes.
1993:
OUTSIDE/IN, installation: plywood, spray paint, three video monitors, video playback.
1992:
BEYOND THE SHADOW, installation: sand, high intensity miniature lights, poetry, video projection.
1989:
THE DEATH OF THE LOTUS, 3/4” color, 5 1/2 minutes.
1988:
DREAMTIME, 3/4” color, 6 1/2 minutes.
1986:
NEW MUSIC AMERICA, 3/4” color, 57 minutes.
1985:
FILLING THE BOXES OF JOSEPH CORNELL, 3/4” color 8 minutes. Also an installation.
1984:
DOROTHY DAVIS: MAKE A WAY, 3/4” color 26, minutes.
1983:
SURVEILLANCE, marble laminate, video camera, plants, velvet stanchions, four channel installation, 3/4” color, varying times.
1982:
GENERIC VIDEO ART, 3/4” color, 11 minutes.
A DEDICATION TO LEE CHOON-SOP, installation, 3/4” color, 3 minutes.
1981:
THE VIDEO NICKELODEON, installation, 3/4” black and white, wood, miniature footlights, cloth, black and white television monitor,
22” x 22” x 22” wooden cube with security “peep” hole, 3 minutes.
DEUS EX MACHINA, 3/4” color, 15 minutes. Also a live performance.
1980:
THE SWEETWATER RATTLESNAKE ROUNDUP, 3/4” color, 26 minutes.
DUET FOR TAP AND GALOSHES, 3/4“ color, 2.5 minutes.
1979:
THE WORLD’S LARGEST: A TAPE ABOUT TEXAS, 3/4” color, 24 minutes.
WATER, WIND, AND THE RECORD OF THE ROCKS, 3/4” color, 10 minutes.
1978:
PRIVATE PARTS, 1/2” black and white, 12 minutes.
28 YEARS OF CADILLACS, 3/4” color, 20 minutes.
1977:
MINUTE WALTZ, 1/2“ black and white colorized, 3 minutes.
THE BLESSING OF THE MOTORCYCLES, 1/2” black and white, 5 minutes.
1976:
DEUX PIEDS, with Dennis Hlynsky, 1/2” black and white colorized, 4 minutes.
HYDROGLYPHS: EARLY MORNING DRIFT, with Alan Powell, 1/2” black and white colorized, 15 minutes.
PRIME TIME, 1/2” color installation, 10 minutes. Revised in 1981.
1975:
THE DYING SWAN, 1/2” black and white, 3 minutes.
THE VIDEO MAZE, a series of 12 interactive video installations, at the Everson Museum of Art.
1973:
BODY IMAGES, 1/2” black and white, 10 minutes.
MOOG SYNTHESIZER IMAGES #1, 1/2” black and white colorized, 3 minutes.
TAKE MY PICTURE?, 1/2” black and white, 5 minutes.
