2004: video in, Vancouver, Canada (The 70s Show)
Broadcast on KERA-TV, Dallas PBS (The World’s Largest: A Tape About Texas)

2003: Live performance of traditional North Indian music, the Foundation for
Modern Music, Houston (Shadow & Substance)

2002: Independent Exposure, Aurora Picture Show, Houston (The Dying Swan)

2001: The Dallas Video Festival (Eyeopeners)
Intuit: The Center for Intuitive and Outsider Art, Chicago (Eyeopeners)

2000: Directors Guild of America, West (The Dying Swan)
The Museum of Fine Arts, Houston (Eyeopeners)
25 Years of Independent Images, Aurora Picture Show, Houston
(A Dedication to Lee Choon-Sop)

1999: DiverseWorks, Houston (Electron Movers retrospective)

1998: The Museum of Fine Arts, Houston (Shadow & Substance; Uncle Umbrella)
Contemporary Art Center, Fort Worth (The Wonderful Stone)
Dallas Video Festival (Shadow & Substance)

1995: Pacific Film Archive (Dreamtime)

1994: Cinéma libre, Montreal (The Death of the Lotus)
The Menil Collection (John Cage excerpt from New Music America)

1993: Museum of Fine Arts, Houston (miscellaneous work)

1992: ISCAF Film/Video Festival, Warsaw, Poland (The Dying Swan, Prime Time)
Neighborhood Film Project, Philadelphia (miscellaneous work)
Alexandria Museum of Art (Outside/IN)

1991: New York Expo of Short Film/Video (The Death of the Lotus)
Sinking Creek Film Celebration (The Death of the Lotus)
Pacific Film Archive, San Francisco (Dreamtime)

1990: Museum of Modern Art, NYC (Dreamtime)
The Kitchen, NYC (Dreamtime)

1989: Dallas Video Festival (Dreamtime)
Art Museum of South Texas (miscellaneous work)

1988: Dallas Video Festival (The World's Largest; Dreamtime)
Birmingham Museum of Art (miscellaneous work)

1987: Infermental, Vancouver, with various other international destinations
(A Dedication to Lee Choon-Sop)
Museum of Modern Art, NYC (with Bill Viola)

1986: Metropolitan Museum of Art, NYC (Three Worlds)
The Smithsonian Institute, Washington, D.C. (Three Worlds)
Festival du Cinema, Montreal (Filling the Boxes of Joseph Cornell)

1985: The School of the Art Institute of Chicago (miscellaneous work)
Nova Scotia College of Art and Design (The World's Largest)
Video Free America, San Francisco (Duet for Tap and Galoshes)
World-Wide Video Festival (Filling the Boxes of Joseph Cornell)

1984: New Orleans Video Access Center (miscellaneous work)
San Antonio Museum of Art (Surveillance)

1983: Museum of Modern Art, NYC (miscellaneous work produced with Electron Movers)
World-Wide Video Festival, Amsterdam (A Dedication to Lee Choon-Sop)
Anthology Film Archives, NYC (miscellaneous work)
American Film Institute, Washington, D.C. (Duet for Tap and Galoshes)

1982: U.S. Film and Video Festival, Park City, Utah (The Sweetwater Rattlesnake Roundup)
Athens Video Festival (Generic Video Art)

1981: Tokyo Video Festival (Deus Ex Machina)
Global Village Documentary Festival, NYC (The Sweetwater Rattlesnake Roundup)
The Bank, Amsterdam (miscellaneous work)
Media Study/Buffalo (Technical Feets)

1980: Ithaca Video Festival (Water, Wind, and the Record of the Rocks)
Athens Video Festival (Water, Wind, and the Record of the Rocks)

1979: Video Roma, 10 year retrospective (miscellaneous work)
Walnut St. Theater, Philadelphia (miscellaneous work)

1978: Global Village Documentary Festival, NYC (Twenty-Eight Years of Cadillacs)
Ithaca Video Festival (Deux Pieds)

1977: Art Park (environmental light sculptures)
Harvard University (miscellaneous work)
Ithaca Video Festival (The Dying Swan)

1976: Hallwalls (miscellaneous work)
Women's Inner Art Center, NYC (miscellaneous work)

1975: Gallery of Modern Art, Rome (miscellaneous work)
Centro de Arte y Comunicacion, Buenos Aires (miscellaneous work)
The 12th Annual New York Avant Garde Festival (installation)
Everson Museum of Art (The Video Maze)

1974: The 11th Annual New York Avant Garde Festival (installation)
Everson Museum of Art (miscellaneous work)

1973: The 10th Annual New York Avant Garde Festival (installation)
The Kitchen, NYC (Body Images)

partial videography:

1975: THE DYING SWAN, 1/2" black and white, 3 minutes.

1978: 28 YEARS OF CADILLACS, 3/4" color, 20 minutes.

1979: THE WORLD'S LARGEST: A TAPE ABOUT TEXAS, 3/4" color,
24 minutes.

1980: THE SWEETWATER RATTLESNAKE ROUNDUP, 3/4" color,
26 minutes.

1982: GENERIC VIDEO ART, 3/4" color, 11 minutes.
A DEDICATION TO LEE CHOON-SOP, installation, 3/4" color,
3 minutes.

1983: SURVEILLANCE, four-channel installation, misc. running times.

1984: DOROTHY DAVIS: MAKE A WAY, 3/4" color 26, minutes.

1985: FILLING THE BOXES OF JOSEPH CORNELL, 3/4" color 8 minutes. Also an installation.

1986: NEW MUSIC AMERICA, 3/4" color, 57 minutes.

1988: DREAMTIME, 3/4" color, 6 1/2 minutes.

1989: THE DEATH OF THE LOTUS, 3/4" color, 5 1/2 minutes.

1997: SHADOW & SUBSTANCE, Avid to Beta, 16 1/2 minutes.
UNCLE UMBRELLA, Avid to Beta, 16 minutes.

1998: THE WONDERFUL STONE, installation: video, photomural, stone, spray paint, vinyl, cloth, fog, text.

1999- EYEOPENERS, Avid to Beta, color, 45 minutes.
2000

2002: TEN ANGRY WOMEN, installation: video, sparring "BOB" bag, wrestling mask.